Archive. Future Talks. Lectures 015
018. EXPLODING SODAS, SHRINKING FRUIT, AND YESTERDAY’S CD-ROMS.
CONTENT AND CONSERVATION OF THE AIGA DESIGN ARCHIVES AT THE DENVER ART MUSEUM
BY DARRIN ALFRED, SARAH MELCHING, KATE MOOMAW
Denver Art Museum, Denver, USA
026. ELECTRICAL WIRES- DEFINING AGING PHENOMENA AND SEARCHING FOR SOLUTIONS FOR LONG TIME STORAGE
BY JULIA DEMETER, LEONIE SAMLAND
012. THE SACCHI COLLECTION. FROM MODEL TO OBJECT
BY SILVANA ANNICCHIARICO, BARBARA FERRIANI, FRANCESCA CATERINA IZZO, ELISABETTA ZENDRI, Triennale Design Museum, Milan, Italy, Ca’ Foscari University of Venice, Venice-Mestre, Italy
022. STRETCH IN SPACE. RESEARCH INTO THE MECHANICAL PROPERTIES OF INSTALLATIONS OF KNITTED POLYAMIDE UNDER STRESS
BY CARIEN VAN AUBEL, SUZAN DE GROOT, HENK VAN KEULEN, TATJA SCHOLTE, EMMY DE GROOT
University of Amsterdam, Amsterdam, The Netherlands, Cultural Heritage Agency of the Netherlands, Amsterdam, The Netherlands
023.SYNTHETIC FURS IN ART. MATERIALS, PROCESSES AND CLEANING METHODS
BY KATJA VAN DE BRAAK, ANNA LAGANÁ, SUZAN DE GROOT, HENK VAN KEULEN, ELLEN JANSEN, RENÉ PESCHAR
University of Amsterdam, Amsterdam, The Netherlands
Cultural Heritage Agency of the Netherlands, Amsterdam, The Netherlands
011. A PLASTICINE-MADE MODEL FOR BENEDICTION BY JACQUES LIPCHITZ (1891-1973)
BY SUZANNA YASEMIN ETYEMEZ
Los Angeles, USA, Hochschule für Bildende Künste Dresden, Germany
024. ON CONTEMPORARY ARTWORK PRODUCTION. A DIAOLGUE
BY VIOLA EICKMEIER
studio violet, Berlin, Germany
BY INGO VETTER
University of the Arts Bremen, Germany
019.3D PRINTED METAL IN DESIGN
BY STEVEN PINE
The Museum of Fine Arts, Houston, USA
003. A COMPARISON OF BIOMIMETIC, GENERATIVE DESIGN TO TRADITIONAL INDUSTRIAL METHODS OF PROTOTYPE DEVELOPMENT BY MEANS OF PNEUMATIC GRIPPER SYSTEMS
BY AXEL THALLEMER
full professor with tenure at National University of Singapore and Deputy Head of Research for Industrial Design
020. THE LUSTRUM OF A ‘TEMPORARY’ TREATMENT OF THE ORIGINAL STELTMAN CHAIRS BY GERRIT RIETVELD. HOW AN INTERIM INTERVENTION TURNS OUT TO LAST
BY EVELYNE SNIJDERS
Haarlem, The Netherlands
021. RIETVELD’S BEUGELSTOEL. THE EARLY MODELS MADE OF VULCANISED FIBRE
BY MAREIKE STÖBER
Technische Universität München, Munich, Germany
015. CONSERVATION OF FORMICA
BY THIJS JANSSEN
University of Amsterdam, Amsterdam, The Netherlands
017. THE EAMESES’ LA CHAISE AND ITS DELAYED PRODUCTION. A TECHNICAL STUDY
BY ROGER GRIFFITH, ELLEN MOODY, ANNE GRADY, The Museum of Modern Art, New York, USA
025. STICKING TO THE TUBE CHAIR. CONSERVATION TREATMENT FOR A DESIGN CLASSIC IN USE
BY KATHARINA HAIDER, VALENTINA VITALE, SATENIK AESCHI
Bacon Studios Berlin
010. “GARGANTUA E PANTAGRUEL” BY STEFANO ARIENTI
THE DEGRADATION AND SUBSEQUENT RESTORATION OF A POLYSTYRENE WORK OF ART
BY CAROLINE DUPRÉ, FRANCESCA SECCHI
Rome, Italy
007. LE CHANT DU STYRÈNE BY PAUL COCKSEDGE.RESEARCH INTO BONDING AND FILLING MEDIA FOR DEGRADED EXPANDED POLYSTYRENE
BY TIM BECHTHOLD, Die Neue Sammlung
NAHEMA BORREL, University Sorbonne Paris
006. DIPPING INTO COLORS. STUDIES ON THE COLORING OF PLASTICS
BY ANNE BIBER
Technisches Museum Wien, Vienna, Austria
005.MATCHING THE COLOURS IN THE RECONSTRUCTION OF MODERN ARTWORKS
BY LYDIA BEERKENS
SRAL Maastricht, The Netherlands
014. DISCOLOURATION OF PLASTIC OBJECTS
THE IDENTIFICATION OF YELLOW AND ORANGE SYNTHETIC ORGANIC PIGMENTS IN PLASTIC OBJECTS
BY SUZAN DE GROOT, HENK VAN KEULEN, SHARON VAN DEN AKKER, THEA VAN OOSTEN
Cultural Heritage Agency of the Netherlands (RCE), Amsterdam, The Netherlands.
004. BACK TO THE ORIGINS. UNDERSTANDING THE HISTORY OF PRODUCTION AND ITS INFLUENCE ON THE PROPERTIES OF ACRYLIC SHEET
BY SARA BABO, JOANA LIA FERREIRA, ANA MARIA RAMOS, MARIA JOÃO MELO
University Nova, Lisbon, Portugal
013. THE CLEANING AND CONSERVATION OF PLASTIC ARTEFACTS FOUND IN MUSEUM COLLECTIONS
BY ANNA L. FRICKER, DAVID S. MCPHAIL, BRENDA KENEGHAN, BORIS PRETZEL
Imperial College London, London, United Kingdom. Victoria and Albert Museum, London, United Kingdom
008. LASERS APPLICATION FOR THE CLEAINING OF PLASTIC SUPPORTS
BY GRAZIA DE CESARE
Accademia di Belle Arti de L’Aquila, Chieti, Italy
BY CHIARA RUSSO
Institute of Electronic Structure and Lasers, Foundation for Reserach and Technology- Hellas (IESL-FORTH), Greece
016. UPDATING POPART’S CLEANING PROTOCOLS & LOW-COST MONITORING OF DETERIORATING PLASTICS BY WAY OF A RASPBERRY PI
BY MARK KEARNEY, BRENDA KENEGHAN, Boris Pretzel
Victoria and Albert Museum, London, United Kingdom
009. REFLECTANCE TRANSFORMATION IMAGING OF TRANSPARENT POLYMERS
BY ALEXANDER M. DITTUS
Zurich, Switzerland
DESIGNERS ON DESIGN
001. Nitzan Cohen
professor for industrial and system design HBK Stuttgart, industrial designer, Munich
002. KARIM HABIB
chief designer, BMW
CONTENT AND CONSERVATION OF THE AIGA DESIGN ARCHIVES AT THE DENVER ART MUSEUM
BY DARRIN ALFRED, SARAH MELCHING, KATE MOOMAW
Denver Art Museum, Denver, USA
026. ELECTRICAL WIRES- DEFINING AGING PHENOMENA AND SEARCHING FOR SOLUTIONS FOR LONG TIME STORAGE
BY JULIA DEMETER, LEONIE SAMLAND
012. THE SACCHI COLLECTION. FROM MODEL TO OBJECT
BY SILVANA ANNICCHIARICO, BARBARA FERRIANI, FRANCESCA CATERINA IZZO, ELISABETTA ZENDRI, Triennale Design Museum, Milan, Italy, Ca’ Foscari University of Venice, Venice-Mestre, Italy
022. STRETCH IN SPACE. RESEARCH INTO THE MECHANICAL PROPERTIES OF INSTALLATIONS OF KNITTED POLYAMIDE UNDER STRESS
BY CARIEN VAN AUBEL, SUZAN DE GROOT, HENK VAN KEULEN, TATJA SCHOLTE, EMMY DE GROOT
University of Amsterdam, Amsterdam, The Netherlands, Cultural Heritage Agency of the Netherlands, Amsterdam, The Netherlands
023.SYNTHETIC FURS IN ART. MATERIALS, PROCESSES AND CLEANING METHODS
BY KATJA VAN DE BRAAK, ANNA LAGANÁ, SUZAN DE GROOT, HENK VAN KEULEN, ELLEN JANSEN, RENÉ PESCHAR
University of Amsterdam, Amsterdam, The Netherlands
Cultural Heritage Agency of the Netherlands, Amsterdam, The Netherlands
011. A PLASTICINE-MADE MODEL FOR BENEDICTION BY JACQUES LIPCHITZ (1891-1973)
BY SUZANNA YASEMIN ETYEMEZ
Los Angeles, USA, Hochschule für Bildende Künste Dresden, Germany
024. ON CONTEMPORARY ARTWORK PRODUCTION. A DIAOLGUE
BY VIOLA EICKMEIER
studio violet, Berlin, Germany
BY INGO VETTER
University of the Arts Bremen, Germany
019.3D PRINTED METAL IN DESIGN
BY STEVEN PINE
The Museum of Fine Arts, Houston, USA
003. A COMPARISON OF BIOMIMETIC, GENERATIVE DESIGN TO TRADITIONAL INDUSTRIAL METHODS OF PROTOTYPE DEVELOPMENT BY MEANS OF PNEUMATIC GRIPPER SYSTEMS
BY AXEL THALLEMER
full professor with tenure at National University of Singapore and Deputy Head of Research for Industrial Design
020. THE LUSTRUM OF A ‘TEMPORARY’ TREATMENT OF THE ORIGINAL STELTMAN CHAIRS BY GERRIT RIETVELD. HOW AN INTERIM INTERVENTION TURNS OUT TO LAST
BY EVELYNE SNIJDERS
Haarlem, The Netherlands
021. RIETVELD’S BEUGELSTOEL. THE EARLY MODELS MADE OF VULCANISED FIBRE
BY MAREIKE STÖBER
Technische Universität München, Munich, Germany
015. CONSERVATION OF FORMICA
BY THIJS JANSSEN
University of Amsterdam, Amsterdam, The Netherlands
017. THE EAMESES’ LA CHAISE AND ITS DELAYED PRODUCTION. A TECHNICAL STUDY
BY ROGER GRIFFITH, ELLEN MOODY, ANNE GRADY, The Museum of Modern Art, New York, USA
025. STICKING TO THE TUBE CHAIR. CONSERVATION TREATMENT FOR A DESIGN CLASSIC IN USE
BY KATHARINA HAIDER, VALENTINA VITALE, SATENIK AESCHI
Bacon Studios Berlin
010. “GARGANTUA E PANTAGRUEL” BY STEFANO ARIENTI
THE DEGRADATION AND SUBSEQUENT RESTORATION OF A POLYSTYRENE WORK OF ART
BY CAROLINE DUPRÉ, FRANCESCA SECCHI
Rome, Italy
007. LE CHANT DU STYRÈNE BY PAUL COCKSEDGE.RESEARCH INTO BONDING AND FILLING MEDIA FOR DEGRADED EXPANDED POLYSTYRENE
BY TIM BECHTHOLD, Die Neue Sammlung
NAHEMA BORREL, University Sorbonne Paris
006. DIPPING INTO COLORS. STUDIES ON THE COLORING OF PLASTICS
BY ANNE BIBER
Technisches Museum Wien, Vienna, Austria
005.MATCHING THE COLOURS IN THE RECONSTRUCTION OF MODERN ARTWORKS
BY LYDIA BEERKENS
SRAL Maastricht, The Netherlands
014. DISCOLOURATION OF PLASTIC OBJECTS
THE IDENTIFICATION OF YELLOW AND ORANGE SYNTHETIC ORGANIC PIGMENTS IN PLASTIC OBJECTS
BY SUZAN DE GROOT, HENK VAN KEULEN, SHARON VAN DEN AKKER, THEA VAN OOSTEN
Cultural Heritage Agency of the Netherlands (RCE), Amsterdam, The Netherlands.
004. BACK TO THE ORIGINS. UNDERSTANDING THE HISTORY OF PRODUCTION AND ITS INFLUENCE ON THE PROPERTIES OF ACRYLIC SHEET
BY SARA BABO, JOANA LIA FERREIRA, ANA MARIA RAMOS, MARIA JOÃO MELO
University Nova, Lisbon, Portugal
013. THE CLEANING AND CONSERVATION OF PLASTIC ARTEFACTS FOUND IN MUSEUM COLLECTIONS
BY ANNA L. FRICKER, DAVID S. MCPHAIL, BRENDA KENEGHAN, BORIS PRETZEL
Imperial College London, London, United Kingdom. Victoria and Albert Museum, London, United Kingdom
008. LASERS APPLICATION FOR THE CLEAINING OF PLASTIC SUPPORTS
BY GRAZIA DE CESARE
Accademia di Belle Arti de L’Aquila, Chieti, Italy
BY CHIARA RUSSO
Institute of Electronic Structure and Lasers, Foundation for Reserach and Technology- Hellas (IESL-FORTH), Greece
016. UPDATING POPART’S CLEANING PROTOCOLS & LOW-COST MONITORING OF DETERIORATING PLASTICS BY WAY OF A RASPBERRY PI
BY MARK KEARNEY, BRENDA KENEGHAN, Boris Pretzel
Victoria and Albert Museum, London, United Kingdom
009. REFLECTANCE TRANSFORMATION IMAGING OF TRANSPARENT POLYMERS
BY ALEXANDER M. DITTUS
Zurich, Switzerland
DESIGNERS ON DESIGN
001. Nitzan Cohen
professor for industrial and system design HBK Stuttgart, industrial designer, Munich
002. KARIM HABIB
chief designer, BMW