Hella Jongerius & Louise Schouwenberg

Since 2015 Die Neue Sammlung – The Design Museum has drawn attention to the architectural highlights of this two-storey space, largely defined by the constant movement of its two elevators, by using it to stage a series of exhibitions on a contemporary design position.

Hella Jongerius has acquired an international reputation thanks to the unique way she combines a craft-led practice with contemporary industrial processes, and thanks to her distinct textile and colour designs. Louise Schouwenberg is an art and design theorist and leads the Master department Contextual Design at the renowned Design Academy, Eindhoven.

In 2015 Jongerius and Schouwenberg wrote the manifesto Beyond the New. A Search for Ideals in Design, launched during the Salone del Mobile design fair in Milan. The manifesto questioned the market’s growing interest in newness for the sake of the newness and made a strong plea for true cultural innovation instead. In this exhibition, the idea of the new is transposed onto the museum and its collection. How is design defined there? How do the demands of the market differ from the
cultural aims of the museum? Can cultural innovation be found in a museum? “Yes and no”, say Jongerius and Schouwenberg. “On the one hand a museum is an ideal place for grasping the manifold cultural meanings that hide in a design. Here visitors can detect which items represented cultural innovation when they were conceived and which have retained significance ever since. On the other hand, one can question whether a museum is equally able to reveal the gap between a design as cultural artefact and a design as commercial commodity.
Moreover, one can question whether a museum can offer insight into design’s agency in the daily lives of people, now that the things are robbed of their use value.”

The exhibition focuses on the aims of collecting and exhibiting in Die Neue Sammlung – The Design Museum against the background of the institution’s genesis and historical development. Various installations invite the visitors to reflect on how different contexts affect the appreciation of functional things.