Scandinavian studio jewelry is inconceivable without her and her works. As early as the beginning of the 1960s Tone Vigeland’s jewelry objects were routinely included in what are today legendary publications and exhibitions, such as the “International Exhibition of Modern Jewellery” held 1961 in the Goldsmiths Hall London, which first familiarized the public with the emerging art style of studio jewelry. Now, to mark her 80th birthday, Die Neue Sammlung is devoting its first solo exhibition in Europe outside Scandinavia to the grand dame of Scandinavian studio jewelry – 50 years after Vigeland’s first solo exhibition 1967 in Kunstnerneshus in Oslo.
 
With their flowing shapes Tone Vigeland’s pieces generally fit snugly despite being made of metal – steel, silver and gold. Through contact with the skin the metal regains its play with the light, and lent and dreamt of metallic color variations. Every piece becomes individualized through virtue of being worn. Though they stand out for their size and volume, the objects consist of an incredibly large number of tiny hand worked parts – minute pipes twisted from silver wire, precisely cut rectangular and round discs or tiny pellets and rings – so cleverly joined together as to be invisible to the naked eye. Tone Vigeland’s art on the body appears simultaneously modern and archaic.
 
Born 1938 into one of the most famous artist families of Norway Vigeland’s artistic training began 1955 at the Statens Håndverk-og Kunstindustriskole Oslo (today Kunsthøgskolen in Oslo, National Academy of the Arts). To learn goldsmith work she moved 1957 to the Oslo Vocational School. In 1958 she joined the avant-garde artist cooperative Plus in Frederikstad, where several of the works she designed as a student were produced in series. Earrings worked from a single silver loop, whose restrained simplicity and linearity was typical for the style in Scandinavia after World War II, were successfully produced until 1985. In 1961, Tone Vigeland opened her own workshop, and began producing one-offs. Since then she has produced many world-famous items of jewelry which have been honored with numerous distinctions. These are now on show for the first time in a solo exhibition featuring 130 of her works.
In a high-profile exhibition in Galerie Riis 1995 in Oslo, Vigeland took an important step into a different dimension – namely art in architectural space – and simultaneously a move away from decorative art that cites the human body. This move from the body to free space seems a huge one, and yet was quite a logical step for Tone Vigeland.
The very highest distinction have accompanied the artistic oeuvre of this extraordinary Norwegian artist: the Prince Eugen Medal from Sweden in 1988, appointment as Commander of the Royal Norwegian Order of St. Olav in 1996, the Anders Jahre Art Prize and in 2008 she received the Golden Ring of Honor from the Association for Goldsmiths’ Art in Hanau.
 
Works by Tone Vigeland feature in the collections of renowned museums worldwide: The Museum of Arts and Design, New York, USA | Cooper-Hewitt, Smithonian Design Museum, New York, USA | Designmuseum Danmark, Copenhagen | Frederikstad Museum, Norway | Musée des Arts Décoratifs, Paris, France | Musée des Beaux-Arts de Montréal, Canada | Nasjonalmuseet for kunst, arkitektur og design Oslo, Norway | Museum of Fine Arts, Houston, USA – Helen Williams Drutt Collection | Museum of Modern Art, New York, USA | Nationalmuseum Stockholm, Sweden | Nationalmuseum Tokyo, Japan | Nordenfieldske Kunstindustrimuset, Trondheim, Norway | Nordjyllands Kunstmuseum, Aalborg, Denmark | Philadelphia Museum of Art, USA | Racine Art Museum, Wisconsin, USA | Royal Scottish Museum Edinburgh, Scotland | Schmuckmuseum Pforzheim, Germany | The Toledo Museum of Art, Ohio, USA | Victoria & Albert Museum, London, Great Britain and in Die Neue Sammlung – The Design Museum in Munich.
 
The exhibition has been produced in close collaboration with the artist. Featuring some 130 works it provides an overview of Tone Vigeland’s studio jewelry from the years 1958 to 1995, an overview accompanied by a selection of objects and sculptures from 1998 until today.
 
With kind support of the Norwegian Ministry of Foreign Affairs in Oslo, the Royal Norwegian Embassy in Berlin, the Royal Norwegian Consulate in Munich and the Danner-Stiftung, Munich, and in cooperation with Norwegian Crafts, Oslo.
In January 2018 the exhibition will be on show at Nordenfjeldske Kunstindustrimuseum in Trondheim.
 
Under the patronage of Her Royal Majesty Queen Sonja of Norway.
 
The exhibition is accompanied by a publication.
 
Pinakothek der Moderne. Munich
Tone Vigeland. Jewelry – Object – Sculoture
March 11, 2017 – June 11, 2017
one Vigeland, Halsschmuck 1985/2000 Silber, geschwärzt Foto: Die Neue Sammlung - The Design Museum (A. Laurenzo)
Tone Vigeland, Necklace (silver, blackened) , 1985/2000. Permanent loan of Danner-Stiftung, Munich. Photo: Die Neue Sammlung – The Design Museum (A. Laurenzo)
Tone Vigeland. Armschmuck (Silber), 1997. Foto: Guri Dahl
Tone Vigeland. Bracelet (silver), 1997. Photo: Guri Dahl
Tone Vigeland. Halsschmuck (Silber), 2001. Foto: Guri Dahl
Tone Vigeland. Necklace (silver), 2001. Photo: Guri Dahl
Tone Vigeland. Rings (silver, enamel), 1974. Photo: Die Neue Sammlung – The Design Museum (A.Laurenzo)
Tone Vigeland. Object “Just fun” (steel netting mesh), 2000. Photo: Die Neue Sammlung – The Design Museum (A.Laurenzo)